Spectral modeling synthesis is a set of techniques and
software implementations for the analysis, synthesis, and transformation of
music based on a sinusoidal plus residual model. These techniques can be used
for a variety of things related to music, such as synthesis, sound source
separation, music perception, performance analysis, and more. This model was developed
by X. Serra in 1989.
Karplus-Strong string synthesis is a type of synthesis that
loops a short waveform through a filtered delay line to create a noise that
sounds like a plucked string or some form of percussion. This type of synthesis
is known to be a subtractive synthesis technique based on a feedback loop
similar to a comb filter for z-transform analysis. This type of synthesis is
also viewed as the simplest of a class of wavetable-modification algorithms
since the delay line acts to store one period of the signal. String synthesis
was developed by Alexander Strong, and Devin Karplus did the first analysis of
how it worked, hence it being named Karplus-Strong string synthesis. The first
song that used this type of synthesis was a song called “May All Your Children
Be Acrobats” written in 1981 by David A. Jaffe.
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