We need to setup the portable sound rack in the black box
We need to test the sound for a mic input and laptop
we need to drop video screen
test projector
test all pieces
Ben:
still need you notes and bio
Capturing, storing, processing, and retrieving audio in analog and digital domains for visual media and information systems. Recording, editing, processing, and mixing sound for 2-D and 3-D artifacts. In-class tutorials and techniques taught will include the creation of numerous sound based projects for use with visual media and data for information systems. Students will learn to record, edit, process and mix sound for a variety of 2D media, 3D animation and video games.
Wednesday, June 18, 2008
Tuesday, June 17, 2008
Where is FEMS?
Hi guys, not sure if any of you will check this in time, but I Googled for FEMS and found their website. They have a map, but it's very rudimentary (arrow pointing to where the Music Building is). Where exactly in the Music building are we supposed to meet? Or can we all meet out front?
Thanks!
Thanks!
Monday, June 16, 2008
Bio for Sheila
Bishop Bishop is an ordained minister (of the sign up online variety) and would be happy to marry or bury you. Bishop Bishop also is one of many stage names for Sheila Bishop. Sheila Bishop is a performer, writer, director, producer, nonprofit maven, jill of all trades, intellectual, aspiring wensch (mensch with a W), sassy Southerner and all around freak.
K. McGonigle Bio, Program Notes
Bio
Katherine McGonigle is an undergraduate Digital Media student anticipating her swiftly forthcoming graduation. She enjoys the eerie and ambient, but also the strangely humorous and absurd. She will be moving to Alabama and adopting a dachshund in the near future, and plans to work on web design and handmade crafts.
Program Notes
Spiritual Radiation (3'12") - Incorporates tracks of diverse origin, including modified parts of David Byrne and Brian Eno's "Bush of Ghosts," granular synthesis, MIDI instruments played on the keyboard, and tracks scavenged from Freesound.
Mutant Feline Lost in the Triumphantly Retributionist Forest (3'47") - All but two tracks are MIDI instruments performed on the keyboard. The remaining two tracks are modified running water and a cat meowing, obtained from Freesound.
Morte Time: Hi Be Boy Man (3'31") - Remediation of the MIDI version of the Britney Spears "hit."
Katherine McGonigle is an undergraduate Digital Media student anticipating her swiftly forthcoming graduation. She enjoys the eerie and ambient, but also the strangely humorous and absurd. She will be moving to Alabama and adopting a dachshund in the near future, and plans to work on web design and handmade crafts.
Program Notes
Spiritual Radiation (3'12") - Incorporates tracks of diverse origin, including modified parts of David Byrne and Brian Eno's "Bush of Ghosts," granular synthesis, MIDI instruments played on the keyboard, and tracks scavenged from Freesound.
Mutant Feline Lost in the Triumphantly Retributionist Forest (3'47") - All but two tracks are MIDI instruments performed on the keyboard. The remaining two tracks are modified running water and a cat meowing, obtained from Freesound.
Morte Time: Hi Be Boy Man (3'31") - Remediation of the MIDI version of the Britney Spears "hit."
Friday, June 13, 2008
Thursday, June 12, 2008
titles
i could definitely go for 'after the crash'.
its a loaded title. Not only does it reference the idea of the black box, but it also signifies all our tech difficulties.(Sheila's pd constantly quitting, ben's rain damage, mandi and my issues with keykit, blah blah the list could go on forever)
other ideas could include maybe something with 'sampling' or 'alterations' or having to do with the number of performers.
its a loaded title. Not only does it reference the idea of the black box, but it also signifies all our tech difficulties.(Sheila's pd constantly quitting, ben's rain damage, mandi and my issues with keykit, blah blah the list could go on forever)
other ideas could include maybe something with 'sampling' or 'alterations' or having to do with the number of performers.
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